Jean-Antoine Watteau (1684-1721) was a French Rococo artist. He was probably vanquish known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor settings. Many of his charming slim paintings show his strong interest in theatre and ballet, an interest, which was perhaps picked up while he studied with Claude Gillot who designed and fix to death scenery for the stage. Watteau was also heavily influenced by the piece of work of Peter-Paul Rubens who he often borrowed from in many of his works. In the historic period 1710-12 Watteau motley the offshoot of three versions of the myth of Cythera, the island of love for which pilgrims get on and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this essay is the 1717 version, follow in the Louvre, Paris. In this essay I aim to land what Félibien thinks be the criteria any painting must see to become a good work of art, then to prise how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The premiere point that Félibien makes is that the use of colour within a painting is extremely important. Félibien says that there should be a proper intermingle of colours and a correct rendering of light and musical comedy note so as to endow the whole break down with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined but also dark at the similar time, universe brighter on the left and darker on the right, which forms a amiable contrast. The barge left side of the painting really reflects the cup of tea of the beautify: the shimmering blue... If you want to get a full essay, roam it on our website: OrderCustomPa per.com
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