Diegesis and the Artifice of Storytelling in Forrest Gump and Essay

Diegesis and the device of Storytelling in Forrest Gump and Hairspray - Essay ExampleOne of the original forms of this shift towards breaking this artifice of the screen, where audiences are awake of the work of art as existing in the form of artifice was the addition of sound to movies in the 1930s. Trying to draw the audience in to the universe of the movie is not always beneficial, however. There are times when as a film shewr one wants the audience to be aware of the bilgewater as a story and non diegetic sound is a way to accomplish this. In Hairspray, the filmmakers went to extraordinary lengths to make much of the sound in the movie diegetic, trying to deflect the audiences vigilance from the artifice of spontaneous tune and trip the light fantastic, while the film Forest Gump goes the black eye direction, using non-diegetic sound to draw the viewers attention to the artifice of the story, such as having a teller with biases and skewed perceptions. Musicals can some times struggle significantly with the transition into song and dance. It can sometimes simply be incredibly jarring for people to thrash from normal dialogue which we see every day in the world around us, to excellently choreographed dance accompanied by song that is so well performed that it clearly comes from a professional. Some musicals embrace this wink of awkwardness, using winks and nods at the audience to make emphasize and make light of the awkwardness of the transition Hairspray, however, by making many of the songs diegetic, goes the opposite direction and tries to make the song and dance seem natural or else than out of place. This practice pervades the movie, starting with one of the opening scenes the first song occurs on the Corny collins Show a professional musical television event. Obviously in that case, singing and dancing makes stark(a) sense as it does when the girls sing along at home. A viewer can even debauch their imagination to believing that, inspi red by this show, a talented girl could begin singing active her life. This pattern continues throughout the film, first with song inserted into detention by students who are bored, then later by setting dance numbers in a record store, or again on a television set several times. Throughout this entire film, the directors made every effort to make every of the music diegetic. This process breaks down the divide between the viewer and the action occurring on screen. It makes it easier for viewers to head off disbelief, as the physics in the world on screen correspond to the physics in the world around us sometimes there is music, and that music has a known source, one can pick up it, and sometimes people sing and dance do it. All of this breaks down the artifice of the story and tries to blemish the lines between the world of the screen and the world around the viewer. While Hairspray makes frequent use of diegetic sound in order to break down the artifice of storytelling and c reates many reasons for the song and dance that occurs, Forrest Gump goes in the complete opposite direction, using the narration (mostly) nondiegetic sound as a driving force of the plot and thus accent the artifice of storytelling inherent to film (there are a few occurrences where the narration is diegetic in that