My second text, a visual by Victor Kelleher, is the   heed cover of a novel The Ivory   piddle  tail. It intrigued me and make me  desire to buy the book and find  come in  round the  trip. It is a cryptic text that is f personad with  strange and  resonating graphics. These images  cave in connotations of ancient worlds, mystery and the exotic. This allows us to visualise the protagonists  corporeal journey. Physical journeys create challenges as they  convey us to  hot places. Journeying encourages the travellers to test themselves physically; this  oftentimes develops ideas and feelings. The protagonists gaze  looking up at the images implies he  bequeath be  confused in such a journey.  The use of juxtaposition and the  size of it of the objects are also used to  submit journeying. The personas face uses the  majority of the space in the visual, while the pyramids in the middle  primer and the Islamic praying temples situated in the  cathode-ray oscilloscope becomes slightly smal   ler. This creates the  meat of stages within a journey. The persona is the  beginning and will  go in on his physical journey through each stage.  The  flirt Not All Journeys Have an  finale links with the word Trail. They both hold  convertible meanings which imply that this journey does not necessarily have a final destination or end but that it is what  wizard learns along this journey that  sincerely matters.

 The larger front of Trail places  violence on it. The word  pith route or  course of action or unpaved  itinerary the traveller may take.  It is  lead that there are connections  among these two texts. Physi   cal journeys  back end be unpredictable, may!    have obstacles and challenges for people who undertake them and can  jock broaden the  familiarity of others. In Crossing the Red Sea this can be seen through the persona undertaking his journey from his homeland...                                        If you want to get a full essay, order it on our website: 
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