Although it has been suggested that Miltons depiction of Satan is unconventional in that it is sympathetic towards him, the kindred cannot be said for his portrayal of hell. His descriptions, made up of funny metaphors, are striking and forceful, yet the interruptions of Satans speeches of determination allow the readers to explore how it might feel to actually be in hell. Milton puts evince mark on the negative aspects of change through descriptions of characters, and aeonian comparisons to promised land and Eden. He has taken on the task of describing the indescribable, and with his physical exertion of similes aiding him in the process; he successfully manages to create an down encounter of hell in our minds. The first descriptions of hell return close immediately after the invocation, and set up the grand and crown image: The dismal situation waste and wild, A dungeon horrible, on all sides round As single great furnace flamed, yet from those flames No light, plainly sooner tag visible Served besides to discover sights of woe (Book I 60-64) The paradox habituate in draw off 63 is particularly powerful, as darkness cannot be seen. His intention here is to provide a written and meaningful description of the nature of the darkness in hell, so palpable and terrible as to seem visible.
In line 65, Milton adapts Dantes words on the gates of hell, where peace And occupy can never dwell, hope never comes That comes to all; but torture without end (Book I 65-67) and, in doing so, creates an interesting contrast. He begins the forge with the words peace and rest, only to end up with torture without end. It is similar to h! ow he puts across an popular opinion of heaven: by describing hell, and suggesting everything that heaven is not. Here, he has begun with... If you want to shoot a full essay, consecrate it on our website:
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